Seth Godin is what you might call a motivator. You may also call him an identifier. I’d say he is also a wise man, who’s done a lot of research on an alternative method of thought.
He talks about shifting away from being a cog in the wheel, a productive yet zombie-like member of the assembly line, in to the realm of artistry; in short, becoming a Linchpin
A very suiting title for this book, and to be perfectly honest, a great read. 5 stars, thumbs, whatever…
“What will make a Linchpin
To understand this as Seth would like you to – aside from reading the book – the reader must be aware of two things. The first is that Godin describes how “art is the intentional act of using your humanity to create a change in another person.” Not just the artist with a paintbrush or camera, but the person with the willingness to put in the effort. The second is that this book is not about creating the next best thing, it’s about becoming indispensable; becoming a Linchpin.
To cheat Godin out of a book sale (in all likelihood it will make you want to read the entire book multiple times) he’s described what makes you indispensable:
- provide a unique interface between members of the organization,
- delivering unique creativity,
- managing a situation or organization of great complexity,
- leading customers,
- inspiring staff,
- providing deep domain knowledge,
- possessing a unique talent.
Rest assured, if you think you know what all these points mean – and that you possess (some of) them – and/or you believe even just one of these qualities does indeed make the artist valuable, this book will be worth your read.
I would highly suggest taking notes of every single point Seth Godin makes that sticks out to you.
If you have read this book, I’d love to hear some points you’ve taken from this book that have changed your life.
is a collection of photographs from 1935-1960 that should not be casually browsed on a Sunday afternoon. It is a serious and raw outlook on a city from the after dark like scenes and core fundamentalist photojournalism that one would expect from a tabloid and press photographer. 
by author Chris Cobb, who also happens to be a journalist himself, is a very intriguing documentary describing the start up daily newspaper, the National Post a paper owned by the proprietor