Christ in the House of Levi by Paolo Veronese

1573 - Paolo Veronese - Christ in the House of Levi

In 1573 one of the great Venetian masters Paolo Veronese (Paolo Cagliari of Verona) finished Christ in the House of Levi. The painting depicts a merry scene, with courtly jesters and the elite of Venice surrounding Christ for a marvelous feast.

Originally this painting was titled Last Supper, however, since the painting was created in the height of Counter Reformation it received much criticism from the Holy Office of the Inquisition because it showed creatures so close to Christ. This prompted accusations of Veronese for impiety, and demanded he make the necessary changes at his own expense. Unwilling to solve this problem by destroying the painting, Veronese simply changed the name of the painting to Christ in the House of Levi which implied a much less formal evening.

The painting depicts an open loggia with giant columns and three monumental arches. In the background through the arches one can see more magnificent buildings of Venice cityscape.

Christ in the House of Levi is 18’6″ x 42’6″, clearly a colossal sized painting, and is painted with oil on canvas. It resides in Galleria dell’Accademia, Venice.

1573 - Paolo Veronese - Christ in the House of Levi

1573 – Paolo Veronese – Christ in the House of Levi

The Burial of Count Orgaz by El Greco

The Burial of Count Orgaz by El Greco

The Burial of Count Orgaz by El Greco from 1586 is considered El Grecos finest work. Its appeal to pious fervor of the Spanish Reformation efforts should be very evident. The legend has it Saint Stephen and Saint Augustine miraculously descended down from heaven to bury the Count, about 3 centuries prior to the painting, in the church where it was commissioned to reside: Church of Santo Tomé in Toledo.

El Greco is an interesting painter because he draws from so many stylistic sources. The Venetian school is represented in the rich clothing, but the abstractness shift the style towards Mannerism, his usual classification. The elongated limbs, undefined space, and cool light can only be explained by his connection with Titian’s workshop, and Titian’s student, Tintoretto.

The Burial of Count Orgaz by El Greco