Hunters in the Snow by Pieter Brueghel the Elder

Pieter Brueghel the Elder ( 1525? – 1569 ) was a Flemish painter fascinated with the idea of making peasant life into artistic scenes of poetry and drama. He thrived on intimate peasant habits, industrial conflicts, and spiritual practices of the time.

When Brueghel was a young man, he traveled over the Alps to Italy to learn from the Italian masters. However, what he did learn was that he was a Northerner through and through, and didn’t take much from the leads of the Italian masters. However, what he did fall in love with was the landscapes of the Italians. Brueghel effectively snubbed the Italian art that was beginning to so enthuse the other Flemish artists in the North. This mentality of Brueghel was aligned with the elder Flemish artists who had for so long fought to create a unique style.

Pieter Brueghel reportedly had an ironic sense of humor, which translated into his landscapes.  The natural backgrounds with such vastness and insight into life are truly breathtaking. Hunters in the Snow takes the viewers eye naturally through the landscape, to observe every nuance of the painting. I personally always start in the foreground, in the front left and sweep my way right and back. Those cliffs are what legends are made of, the distant port in the background, and the frozen canals and creeks that sweep through the landscape provide for my imagination boundless dreams that I would love to walk along and explore.

The thing I am most curious about though, is did they really have skates back then?

This painting was part of a series of landscape paintings started by Brueghel, of which only 5 were finally completed before his death. They all were themed around peasant going about chores and other daily activities. It was done with oil on a wooden panel. Apparently, there are firemen putting out a chimney fire in the background somewhere, which I cannot see..

The painting now resides with a collection in the Kunsthistorisches Museum, located in Vienna, Austria. This painting is an example of the Northern Renaissance movement.

Pieter Brueghel the Elder - Hunters in the Snow - 1565

Pieter Brueghel the Elder – Hunters in the Snow – 1565

 

Monthly Joint Series by Amon Tobin

Amon Tobin released an album called Monthly Joint Series, which was made in the year 2009 from the bastard children of his then current album he had underway. Each song stands on its own, as a valiant soldier marching forth into the industrial wreckage ready to reek salvation upon the land. I guess, as legend has it, Amon released a song a month digitally, which fans ate up ravenously.

It’s what you’d come to expect from Amon Tobin, filled with futuristic sounds, traditional beats, and much bass.

delpher

delpher

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Great Expectations by Charles Dickens

charles dickens

Great Expectations by Charles Dickens is a classic book. Correction: Great Expectations by Charles Dickens is a great classic book.

great expectations by charles dickens

Great Expectations takes the reader through the life of Mr. Pip, starting out in his small town outside of London, England “in the marsh country down by the river, twenty miles of the sea.” and through his acquiring great expectations. The story takes place in what I would guess to be late 19th century England.

Let me clarify what great expectations are: a lot of wealth. Pip comes into a lot of wealth. Continue Reading →

Canadian Oil Sands and Lesser Prairie Chickens

Northern Alberta Tar Pit #3

It started off a few years ago as a project that would simply cost way too much to pursue. I remember it clearly as they said that it wouldn’t be explored because it was far to bad for the environment, cost way too much money, and there was way to much oil in the middle east… I remember even hearing how they said that with current technologies it takes more oil to actually extract the tar sands oil, than they actually get out of it in the process. But then oil went up to the prices we now see today, and suddenly WE THE CONSUMER started paying for our earth to be devastated. I’m talking about Canada’s oil sands.

Last time I was at the pump, gasoline was $141.9. For my ‘fuel efficient’ Jetta, a full tank costs about $70 to fill. I am paying for this exploration. I am guilty myself.

You know, if I was a believer in conspiracy theories, I might even venture to guess that half of the profits some of these oil companies get are by sneaky accounting. Think of this if you will: Company X buys oil, machinery, and pays employees while getting huge tax cuts and credits for being a developer of raw resources, for employing people, and numerous amounts of other loop holes. Company X just so happens to also extract the same oil they buy, so not only are they buying their own oil at premiums – keeping investors happy – they are also given tax credits to buy their own oil at premiums: essentially free government money. Company X also has huge backers on the board lobbying government, giving Company X basically ZERO risk factor of any sort of policy changes occurring in the near future that would hinder progress; if any policy change along the sorts is proposed that will make it harder for Company X to make large profits, the policy changes will be tied up in courts so long Company X will be allowed to take many years of life from planet earth.  Sounds like smart business, doesn’t it?

Today I signed many petitions to bring change in the world. I realize that it is slightly silly thinking that signing an online petition will bring change, but the positive fact of the matter is that many of these petitions do indeed bring change to the world. These petitions do have success. I’ve signed some petitions that have anywhere from a quarter of a million people signing them to over 2 million peoples signatures.

Today I signed a petition to bring the Lesser Prairie chicken – a rare grouse species threatened by oil and gas exploration, wildfires, and drought – under the wildlife protection act for protection against extinction.

I also signed a petition to bring the company Monsanto, and their super herbicide Roundup, forward to answer questions. Evidently a peer-reviewed report published in the scientific journal Entropy indicates glyphosate, a chief ingredient in herbicides like Roundup, is being found in the foods we all eat, we all buy from the grocer. Glyphosate is proven to have negative impacts on the human body by “manifesting slowly over time as inflammation [and] damages cellular systems throughout the body.” Not only does it effect humans, but animals and plants. In short, all life on the earth is effected by glyphosate and Monsanto’s Roundup.

CANADA ALBERTA FORT MCMURRAY 23JUL09 - View of Suncor Millennium tailings pond and tarsands mining operations north of Fort McMurray, northern Alberta, Canada. jre/Photo by Jiri Rezac / GREENPEACE © Jiri Rezac 2009

CANADA ALBERTA FORT MCMURRAY 23JUL09 – View of Suncor Millennium tailings pond and tarsands mining operations north of Fort McMurray, northern Alberta, Canada.
jre/Photo by Jiri Rezac / GREENPEACE
© Jiri Rezac 2009

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Renee Robyn: Photographer, Retoucher, and Model

Renee Robyn has the power to take your breath away. In photography she sees her images before she shoots them, and post-produces them into fantasy filled perfectness. She also models with eyes that can swallow your soul. She first attracted my attention by taking awesome photographs. Plain and simple. Renee’s work immediately stands out when seen. It’s my belief that Renee is such a great photographer because she genuinely loves everything about creating an image: modeling, photographing, creating, dreaming, and putting the final touches on the images in Photoshop.

Renee is intelligent and constantly driving herself. Anybody she comes in contact with understands this, and this just works perfectly to keep those creative juices flowing.

renee robyn photography - 5

Model: Sam Marcellin
Hair: Renato Candia
MUA: Dianne Jane

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California Artist by Robert (Bob) Arneson

Robert Arneson was born in Benicia, California in 1930. He received his MFA in 1958 at California College of the Arts: Oakland, California. In his early employed life he was a cartoonist for a local newspaper. He was a professor of ceramics in the Art department at UC Davis for 40 years.

It’s safe to say Robert Arneson was a Californian Artist.

In the 60s, as a lot of radical artistic movements were explored, Arneson developed a new movement in art called the Funk Movement. For Arneson, this meant pushing away traditional ideals for ceramics, in that they must be utilitarian or decorative. This led Arneson into non-functional ceramics like portraits with feeling, humanity, and humor… almost whimsical.

Arneson was influenced by many artists in California and abroad with radical and blunt ideals. This included writers like Kurt Vonnegut, Thomas Pynchon, Tom Robbins and William Burroughs, or artists like Peter Voulkos.

California Artist was created in 1982, and is stoneware with glazes measuring 68 1/4 in. x 27 1/2 in. x 20 1/4 in. It currently sits in the San Francisco Museum of Modern Art (SFMOMA). It was a mocking response to an art critic from New York who felt Arneson was too easily pleased with his own jokes. The critic was not impressed by the cultural life of the Californian artist.

It is interesting to note that if one peers into the eyes of California Artist, they can see into the empty head of the stoneware.

California Artist by Robert Arneson | Source: http://www.snappysan.com/2012/02/mr-arneson/

California Artist by Robert Arneson | Source: Richard Pelletier

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Rhine River, Germany and Burg Reinfels

Rhine River Sights
Burg Reinfels

Burg Reinfels | Photo source: Ned Tobin | www.nedtobin.com

One of the big rivers of Europe is the Rhine river. It runs from the Alps in Switzerland, along the edge of France, through Western Germany, up to Netherlands and then out to the North Sea. Continue Reading →

Stockholm, Sweden

Stockholm, Sweden
Stockholm, Gamla Stan

Stockholm, Gamla Stan. Photo credit: Ned Tobin | www.nedtobin.com

Stockholm is a city on the water. The core of the city is along the harbour, and various bridges go this way and that taking city goers from one island to the next. If walking is not the ideal solution, there are always the little harbour shuttle boats scattered along the docks that can take you this way and that. Continue Reading →

Christ in the House of Levi by Paolo Veronese

1573 - Paolo Veronese - Christ in the House of Levi

In 1573 one of the great Venetian masters Paolo Veronese (Paolo Cagliari of Verona) finished Christ in the House of Levi. The painting depicts a merry scene, with courtly jesters and the elite of Venice surrounding Christ for a marvelous feast.

Originally this painting was titled Last Supper, however, since the painting was created in the height of Counter Reformation it received much criticism from the Holy Office of the Inquisition because it showed creatures so close to Christ. This prompted accusations of Veronese for impiety, and demanded he make the necessary changes at his own expense. Unwilling to solve this problem by destroying the painting, Veronese simply changed the name of the painting to Christ in the House of Levi which implied a much less formal evening.

The painting depicts an open loggia with giant columns and three monumental arches. In the background through the arches one can see more magnificent buildings of Venice cityscape.

Christ in the House of Levi is 18’6″ x 42’6″, clearly a colossal sized painting, and is painted with oil on canvas. It resides in Galleria dell’Accademia, Venice.

1573 - Paolo Veronese - Christ in the House of Levi

1573 – Paolo Veronese – Christ in the House of Levi

Architectural Abstractions of Martin Golland

Martin Golland - Billboard - 2012

I immediately think of Paul Cézanne, the master Post-Impressionist, when I see the work of Martin Golland; his directional hatching / brush strokes create depth and volume. This is something which Cézanne explored, some may even say pioneered.

What strikes me as beautiful in the works is Gollands choice of pallet. I enjoy the natural feeling of the colours, they seem to fit together in the paintings to create a feeling of natural blending, rather than abstract or surreal contrasts that don’t mimic what we actually see in the real world. So, in this respect again, Golland follows the leads given by the Impressionists by painting what he sees of his romantic surroundings in his own eyes, rather than exactly replicating the way it looks like a photograph.

Martin Golland - Facade - 2010

Martin Golland – Facade – 2010

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