On The House by Head of the Herd

The first track I heard of Head of the Herd blew my socks off, and so did the next track, and so did the one after that. This same pattern continued until I had exhausted everything I could find to listen to by these two guys, Neu and Clay.

Seriously, before I say anything further, go to their website and download their free CD, stuff like this doesn’t last long free. Continue Reading →

Velvet Underground & Nico

The Velvet Underground held a regular gig at Andy Warhols Factory. One of the hippest spots of the 60’s and into the 70’s, where everybody wanted to be, but only select few penetrated the inner circles.

Led by front man Lou Reed, and also including John Cale, Sterling Morrison and Maureen “Moe” Tucker The Velvet Underground & Nico was their debut album, which by the title clearly states it included Andy Warhol elite (and babe): Nico.

The arrangement of instruments in this is pretty extensive, and no wonder why they were so great. Sunday Morning starts off with a twinkling sound, somewhat similar to a xylophone. At any rate, it’s a song you should most definitely recognize if you listen to music, in fact, most of the songs on the album you should recognize. Continue Reading →

Live at Woodstock by Jimi Hendrix

As a teenager, and a guitar player, I clung to Jimi Hendrix like a god…. ok fine, I still do! It was something to do with his expression, his release, his distortion, his control of his instrument, and the era that he lived in that I think captured my imagination. I know, that’s a pretty far out list. Continue Reading →

Kiss Each Other Clean by Iron & Wine

Samuel Beam, from South Carolina, I guess Texas now, is the genius behind Iron & Wine. His work is strong yet not abusive. It’s a mix of big band sound, and soulful introspective.

The album is Kiss Each Other Clean, and its his 2011 release. I enjoy this album.

Iron & Wine is a band that you listen to when your in-laws are over for dinner. It’s smooth, yet a bit risky; it’s not like some wild indy stuff that’s out there, It’s an easy thing to listen to.

Monkeys Uptown has a funky keyboard in there like some Stevie Winwood, reminiscent of the funky disco days.

Then Half Moon takes you on a delightful waltz through time and space. It’s a walk with a lover through the park, butterflies flying lazily around.

Rabbit Will Run is another much more upbeat song, that sounds like its infused with some Jethro Tull, flute included. It’s great.

Godless Brother In Love is another great song. It’s very emotional and soft. It sounds like mostly just a guitar and piano, with harmony singers. So beautiful.

I would really enjoy to sit through a concert of Iron & Wine’s. Maybe it’s just me becoming more peaceful with life, but this stuff is beautiful. I enjoy songs where it’s just the singer up there with a guitar, real raw and really from the heart.

Wikipedia says that Iron & Wine tours with a full band sometimes, which is needed for most of the songs on this album. I’ve read countless articles on bands that are 2 or 3 piece bands, and they express interest in trying things out with a larger band. I can see how only a 3 piece band could be fairly restrictive, but also it could create a really interesting scenario for some amazing stuff to be created. Sometimes its easy to get taken away by all the gizmos and forget about where your roots are, but that is also creation… What do you think?

I enjoy this album, and I sure hope you let me know how you enjoy it too!?

Up From Below by Edward Sharpe & The Magnetic Zeros

Edward Sharpe & The Magnetic Zeros are a very tasteful band. Their creativity makes me feel like I’m flowing through some sort of magical mystery, with only floral patterns, old tea cups, and phonographs. To be short, I like the album Up From Below. Rather, I love it. Continue Reading →

Under Feet Like Ours by Tegan and Sara

Under Feet Like Ours was Tegan and Sara’s first full length album, after the Orange, Yellow and Red demos. I’ve recently been on a big Tegan and Sara kick, and came across this gem in my library, and was simply moved. I was crying by the end of the album.

Its a very strong, acoustic rhythm album that plays with vocal and guitar arrangements in such a way that it makes me feel like I’m enjoying the good times, sitting in the back of an old Cadillac convertible, the kind with the big wings, sailing down the highway on a nice sunny day with my sunglasses on and great company.

Its not the singular talent of one specific instrument in the band, but the girls singing is what moves me. Of course they do have great rhythm and chord progressions, but its the way they pack it into a song that I love.

I love Freedom, the one part where who ever is singing, I can never tell, does that drop. If you’ve heard the song, you know. And Proud just fits in perfectly after it.

Seriously, I listen to This is Everything, song 8, and I immediately feel an immense longing and sorrow and desire to be the everything I can be, and it brings tears to my eyes. Maybe I’m just emotional right now, but the chord progression will forever be in my mind. Heavy also gives me the same emotion. Just speaks so much emotion that I don’t know how to express sometimes, except with silence of my mouth, and open ears.

Today is their birthday, they’re 30. Wikipedia says Tegan lives in Vancouver, Sara in Montreal, when they’re not on tour, and are originally from Calgary. They sell out tours, internationally, and totally kick ass. Just like to say if you read this Tegan or Sara, I’m in Vancouver.. gimme a shout and we’ll play guitar.

I’m definitely proud to say that I’ve been a fan of these girls since around 2002 when I first heard of them going to college at SAIT in Calgary, reading the local culture paper.

I need to see them more. I need to hear them more. I hope you all like them as much as I do, I’d be interested if its just me that likes Under Feet Like Ours.

They have a new album thats out, Sainthood, which anybody in their right mind should already have in their possession.