A Young Girl Defending Herself Against Eros by Adolphe William Bouguereau

Adolphe William Bouguereau - A Young Girl Defending Herself Against Eros

In 1880 Adolphe William Bouguereau painted A Young Girl Defending Herself Against Eros. The french name for this painting is Jeûne Fille Se Défendant Contre L’Amour. The piece is considered Bouguereau’s finest work, and made it’s way to New York to be bought by Henry Flagler. If you’re having trouble remembering who that is, he was the co-founder of Standard Oil, the other founder was John D. Rockefeller.

The painting depicts Eros, the Greek god of love, attempting to pierce the young girl who’s defending herself from his spells. It seems to be a playful scene, with a hint of a smile on the young womans face. The scene takes place in an idyllic countryside, the surrounding countryside of his French studio was the source.

A Young Girl Defending Herself Against Eros is an oil painting on a 61×43 inch canvas. At present, the painting sits in North Carolina at the Kenan House. It’s remarkable to note that in the mid 90s the painting was insured for $2 million while on tour.

Bouguereau was a man of humble beginnings. He had to support himself by painting labels for locals, bookkeeping for a wine merchant, and painting portraits of local patrons while he attended Ecole des Beaux Arts. He was actually very near the last applicant that year to be accepted into the school.

As an artist, Bouguereau, born in La Rochelle, France, on November 30th 1825, exhibited in the salons of Paris for over 50 years until his death in 1905. Bouguereau was predicted by Edgar Degas and Claude Monet to be considered the most remembered artist by the turn of the 21st century, thought it is reported that they detested him because he represented the exact form of traditional institutional art they were breaking down with their own art. Do you think he was one of the most remarkable artists of history?

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Sacha Federowsky

Sacha Federowsky is a dreamer, typical French I guess… He sees things in memories and distal artifacts that capture you in a moment of peace. This is evident in his Les Fleurs Sont D’Excellentes Auditrices series where he explores the idea of transplanted flowers.

What seems to be a very effective way of displaying images, Sacha uses the 50/50 approach to his images, typically two different images, that both leave the viewer understanding, and then reaching for the edge of reason. This is a beautiful thing and it takes a lot of personal introspective glances to be able to understand and portray that which Sacha seems to do effortlessly.

His bio talks of his obsession with the series, any series: creating a series of photographs. One observes this by browsing his webpage and seeing how he organizes it. Whenever I browse an artists work as such, I always feel like they approach life with a certain tenderness that not many other people can understand, as it’s raw, until it’s displayed as a project.

I like this, I think it all makes sense.

Photo credit: Sacha Federowsky, www.sachafedor.eu | Stockholm Tva Renaissances

 

Photo credit: Sacha Federowsky, www.sachafedor.eu

 

Photo credit: Sacha Federowsky, www.sachafedor.eu | Dread & Ecstasy

 

Photo credit: Sacha Federowsky, www.sachafedor.eu | Dread & Ecstasy

 

Photo credit: Sacha Federowsky, www.sachafedor.eu | Dread & Ecstasy

 

Photo credit: Sacha Federowsky, www.sachafedor.eu | Pagan Transylvania

 

Photo credit: Sacha Federowsky, www.sachafedor.eu | Les Fleurs Sont D'Excellentes Auditrices

 

Photo credit: Sacha Federowsky, www.sachafedor.eu | Pagan Transylvania

 

Photo credit: Sacha Federowsky, www.sachafedor.eu

 

Photo credit: Sacha Federowsky, www.sachafedor.eu | Dread & Ecstasy