When I see art that I like, I seem to have a moment of frantic disbelief, scrambling to capture and enjoy and seek more and more of what I’ve just uncovered.
Thankfully we have the internet.
Josephine Cardin (FB, Behance) is an artist that does that for me. In her bio she states: “But at the end of the day, I live to create and create… well, because it is fulfilling, and fun.”
It is clear to understand that Cardin has a background in dance, but she’s also an art historian, a visual artist, and a photographer. One thing that I appreciate of artists is when they pull from multiple disciplines to influence their current works, Cardin seems to have a magical aura about her work that is dripping in historical significance.
I have chosen In This Twilight to showcase Josephine Cardin’s work because it is an astounding exploration of body, movement, fine art, light, and feature. Immediately I am left wondering how she has managed to create such detail in muscle structure yet her lighting seems to be so soft and delicate that even the background fades into darkness. There is mood in the motion, there is a distance one can feel. And the background! It makes me feel like a smoky dream wafting around the room, lost in a memory, which melds perfectly with the fabric that is being used throughout the project.
is a collection of photographs from 1935-1960 that should not be casually browsed on a Sunday afternoon. It is a serious and raw outlook on a city from the after dark like scenes and core fundamentalist photojournalism that one would expect from a tabloid and press photographer. 
is a book explaining, and showcasing what post war contemporary photography was like in Japan, through the lens of